http://www.matthewlangley.com/blog/?p=526 |
Dada- said by most to have no meaning.
This art movement was short, but significant. The name is necessary for the artists who
took part in it, even though they all wanted to reject the idea of
“movements”.
Those who began what is known today as Dada Art
within the Cabaret Voltaire, Hugo Ball, Emmy Hemmings, Tristan Tzara, Marcel Janco,
Arthur Segal, Jean Arp, and Richard Huelsenbeck, all came together to disrupt
the art school ways. So came about this
word Dada.
Supposedly, Huelsenbeck and Ball came upon the word
in a French-German dictionary. To Ball, it fit. As noted in Huelsenbeck’s diary, “Dada is
‘yes, yes’ in Romanian, ‘rocking horse’ and ‘hobby horse’ in French.” “For
Germans it is a sign of foolish naiveté, joy in procreation, and preoccupation
with the baby carriage.”
It covered each language those joined together had
known.
Although saying it was found in a dictionary rather
than just a couple syllables that rolled off someone’s tongue and everyone
yelled, “THAT’S IT! We should call what we are spending all our days doing Dada!”,
takes away from the charm of randomness.
But we should always remember that names have purpose.
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